Contact
CV
Born, Worthing UK, 1982
Education
2010-2012 MA Painting
Royal College of Art
2001-2004 BA Fine Art Painting
University of Brighton
Solo Exhibitions
2024 Human Made, Exeter Phoenix, Exeter
2022 Open To You, Art Lacuna, London
2019 I'm Not Being Funny, Lychee One, London
2018 Grant Foster, Trade Gallery, Nottingham
2017 Ground, Figure, Sky, Tintype, London
2016 Popular Insignia, Galleria Acappella, Naples
2015 Salad Days, Ana Cristea Gallery, New York
2014 Holy Island, Chandelier Projects, London
2009 Mute and Impotent Before the Boot, Post Box Gallery, London
Selected Group Exhibitions
2024 Somatechnics, The Tagli, London
2024 Undone, Making Space, London
2024 Standing Ground, Thames-Side Gallery, London
2024 Compost, Terrace Gallery, London
2024 Dancing about Architecture, Hypha Studios, London
2024 10 Years, Lychee One, London
2024 A Painting Show, Staffordshire Street Gallery, London
2024 Tell Me Everything You Saw and What You Think it Means,
w/Piers Alsop, Tagli Projects, Cromwell Place, London
2024 Exceptional Faults, APT Gallery, London
2024 As self as self as, Asylum, Suffolk
2023 ...freshly as if my eye was still growing, APT Gallery, London
2022 Gutug, Asylum, Suffolk
2022 I can't go on, I'll go on, Safehouse One, London
2021 Scared Back Into Y(our) Body, w/Jamie Fitzpatrick, ASC Gallery, London
2021 Your Foot in My Face and other tectonic strategies, Kingsgate Gallery, London
2020 When You Waked Up the Buffalo, Mihai Nicodim, Los Angeles
2020 Picture Palace, Transition Gallery, London
2019 Exeter Contemporary Open, Exeter Phoenix, Exeter
2019 1d For Abroad, Tintype Gallery, London
2019 The Book of Dreams, Chapel on The Green, Wales
2019 Blemish and Beyond, New Art Projects, London
2018 A Stone in the Mountain, w/Georgia Hayes, Transition Gallery, London
2018 Frivolous Convulsions, Turf Projects, London
2017 Full House, White Columns Online no.1, curated by Elizaveta Shneyderman
2017 You see me like a UFO, Marcelle Joseph Projects, London
2016 Mostra, British School at Rome, Rome
2016 The Classical, Transition Gallery, London
2016 SPORE, Kennington Residency, London
2016 Miami Vice, Transition Gallery, London
2015 Carnival Glass / Block 336 / London
2015 CURE, Transition Gallery, London
2015 The Alembic of Creative Thought, Westminster Waste, London
2015 Figuratively Speaking, Marcelle Joseph Projects, London
2014 The Threadneedle Prize, Curated by Sacha Craddock, Mall Galleries, London
2014 Rx for Viewing, w/Jesse Wine, Ana Cristea Gallery, New York
2013 Bloomberg New Contemporaries, Spike Island, Bristol and ICA, London
2013 Implausible Imposters, Ceri Hand Gallery, London
2013 Creekside open selected by Paul Noble and Ceri Hand
2012 Backwards Man, CGP London
2011 Memory of a Hope, Ceri Hand Gallery, Liverpool
2011 The Future Can Wait presents Polemically Small, Torrance Art Museum, CA
2011 Hello Paradise, Kinsgate Gallery, London
2010 Between a Hole and a Home, James Taylor Gallery, London
2009 Royal Academy Summer Show, London
2009 Pretty Deep, The Royal Standard, Liverpool
2008 For My Part, James Taylor Gallery, London
2008-09 John Moores 25, Walker Art Gallery, Liverpool
Teaching / Awards / Residencies
2024-25 Turps Banana Studio Programme onsite mentor
2023 Cyprus College of Art
2021-22 Turps Banana Studio Programme onsite mentor
2020 - Present, Turps offsite mentor
2019 The International Randall Chair, Alfred University, NY
2016 Fellowship of Contemporary Art, British School at Rome
2010 Leverhulme Bursary
2008 John Moores 25 Prizewinner
Publications
2024 Compost, art zine, issue 1
2023 Turps Banana issue 27, Interview with Andrzej Jackowski
2023 Night Walk, essay to accompany Hannah Bays' solo exhibition at Asylum Studios
2018 (Difficult) Women, Garagleand Magazine, Issue 22
2017 Ground, Figure, Sky. Edition of 100 available through Tintype Gallery, London. Designed by Studio Eger
2016 The Drawer, Issue 10 "Heroes"
2014 Neru Phuyt, Issue 1
2014 Holy Island, text written by Lorena Munoz Alonso
2013 Bloomberg New Contemporaries
2009 Mute and Impotent Before the Boot, catalogue publication written by Sacha Craddock
2007 John Moores 25, catalogue publication